Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Saturday, June 11, 2016

Netflix in Romania: a progress report


Over half of viewers who trialed Netflix in Romania have gone on to subscribe to the service.
Speaking at the ICEEFest conference in Bucharest and quoted in the local media, Joris Evers, the company’s VP, head of communications for Europe, Media East and Africa, added that although there is currently only one title being shown with Romanian subtitles, this is just the beginning and the aim is to gradually increase the number.
Furthermore, when the content is improved locally, there will be a campaign to promote Netflix in Romania.
Evers also said that movies, series and documentaries, some featuring Brad Pitt, Will Smith and Angelina Jolie, would soon be made available in Romania and other markets.
Netflix made its debut in Romania, and throughot the rest of CEE, in January 2016.

Friday, May 27, 2016

Young Germans prefer Netflix

81% of Germans between 14 and 34 years of age use video-on-demand (VOD) services.
The most popular VOD provider is Netflix with a market share of 39%, followed by Amazon Prime Instant Video (36%), according to a survey by market research company Appinio among 5,488 Germans from 14 to 34 years of age. iTunes (23%), Sky Online (21%), maxdome (17%), Watchever (6%) and Videoload (3%) follow.
The selection of the two most popular VOD services differs regarding age: In the 20-24 age group, nearly one in two (48%) have opted for Netflix while less than a third (30%) of people above 30 years of age use it. The opposite is the case with Amazon Prime Instant Video: 30% of people between 14 and 19 years of age use it, rising to 39% in the 30-34 age group.
The largest part of the users watch VOD services through a TV set (57%). Nearly one in two (49%) use a smartphone followed by a desktop-PC (39%) and a tablet (32%).
The most important reason for signing up for a VOD service is the line-up of current movies and series, followed by an extensive movie library and a large series stock. Personal film recommendations and original-language content are less important, ranked 4 and 5.

Monday, May 23, 2016

Netflix in Romania: the first figures

Netflix was accessed by 163,637 Romanian users via PCs in January, its first month of operation in the country.
This, according to information provided to Media Expres by Gemius, was double the total number watching voyo.ro, a similar service operated by CME’s Pro TV.
In its case, it claimed 63,067 PC users, with the figure rising to 88,255 once tablet and mobile usage was factored in.
In January, Netflix had an online reach of 2.2% in Romania, compared to voyo.ro’s 0.85%.
Netflix entered CEE at the beginning of his year and there have so far been few indications as to how well it is performing in the region other than in Poland.
Broadband TV News recently reported on its performance in the latter in the period January- March.

Thursday, February 25, 2016

Netflix on pay-TV benefits operator business

Integrating Netflix into traditional pay-TV services, such as Virgin Media and BT TV, has had a net positive impact on these operators’ performance, according to research by IHS.
These partnerships are not appropriate for all, though – operators investing in their own movies and entertainment content, such as Sky, typically remain wary of working with Netflix. In the longer-term, there is a risk that Netflix will put pressure on some of operators’ core services, including premium movie packages and video-on-demand (VOD) offerings.
These conclusions are from a new report from IHS, Netflix on Pay-TV: A Marriage of Convenience, which was compiled from interviews with executives from companies across the pay-TV value chain, including operators and their technology partners. The data underlying the analysis is sourced from company reports and from IHS market intelligence and forecasts.
Netflix has partnerships in place with 25 pay-TV providers, IHS says, with many more likely to follow after the over-the-top (OTT) video giant expanded to 130 new territories last month.
“Many of the operators working with Netflix have seen customer satisfaction ratings improve under the partnerships, which have helped foster positive operational performances,” said Ted Hall, research director at IHS Technology.
Revenue-wise, however, operators typically receive a share of the ongoing subscription fees only for customers that sign up via that operator’s set-top box, the IHS report says. This is insignificant, as most Netflix users either already have an account or sign up via a more user-friendly device, such as a PC/laptop or tablet.
“Netflix is a both less lucrative and more dangerous content partner to work with than the other premium networks pay TV providers traditionally partner with, such as HBO”, Hall said. “But collaborating with the ever-popular streaming service is necessary for many operators positioning their platforms as one-stop-shop ecosystems for TV and video content.”
The results from the IHS survey generally support the view that third-party video-steaming services positively impact operators’ performance and complement traditional channels and VoD offerings. However, caution remains over how this dynamic could change as Netflix becomes more popular, with some operators wary that it has the potential to negatively impact core pay-TV services and, in turn, average revenue per user and revenues overall.
“Netflix plays at least some – likely small – role as an upsell driver for some operators, whose customers can only access the app via their most advanced set-top boxes,” Hall said. “This is the case for 10 of Netflix’s 25 operator partners, primarily those using TiVo as their technology partner, in addition to Orange, Bouygues and Elisa.”
However, concerns were also expressed that some of operators’ core channel packages and VOD services could be at risk in the longer term, as growing numbers of pay-TV subscribers access Netflix.

Tuesday, February 23, 2016

Netflix attracts suspicion in Russia

Russian pay-TV operators are viewing the rececent arrival of Netflix in the country with suspicion.
Kommersant reports that in a roundtable discussion at CSTB 2016 in Moscow, some participants called for the service to be ‘Russified’. Given the devaluation of the ruble, Netflix would find the cost of Russian content relatrively inexpensive.
Significantly, some also called for there to be a level playing field between Russian and foreign players, requiring the latter to pay taxes, including VAT.
Mixed views were also expressed as to whether the online video market in Russia would benefit from the tightening of legal regulation.

Sunday, February 21, 2016

Netflix prices vs pay-TV ARPU

Many were surprised when Netflix announced its global pricing strategy at CES.
Very broadly, Netflix charges $8/month for one screen, $10/month for two screens and $12/month for four screens and HD content in its 130 new territories.
These rates are reasonable in developed countries, but are high in developing ones. Reed Hastings, the CEO of Netflix, explained that the company was trying – at least initially – to target the elite in developing markets.
Therefore prices are likely to be tweaked in the mid-term, but the rates will appear high in the short term.
Netflix-page-001 (1)
So, Netflix is asking Indians to pay two and a half times as much as they would for the average pay TV subscription. At the other end of the scale, Australians would be forgiven for thinking that Netflix is cheap as its fees represent only 9% of the pay-TV ARPU.
Note that proportions in the established markets of Brazil and Mexico are low – Netflix has been long-established in the region, and does not charge as much as in the new countries.

Thursday, January 14, 2016

Netflix entered in India at a monthly rate of US$ 7.48

The world’s leading content and OTT platform Netflix has switched on its service in India yesterday following the keynote address of the CEO of NetFlix, Reed Hastings at the CES 2016 in Las Vegas. NetFlix services subscription plans are available at a monthly rate of INR 500-800 (US$ 7.48- 11.96).
For INR 500(US$ 7.48) per month, a user can get access to one SD screen, for INR 650 (US$ 9.72) per month, the content can be accessed in HD on two screens at a time. The INR 800 (US$ 11.96) per month plan will give a viewer access to 4K content on up to four screens simultaneously. Netflix also announced that in this year it plans to release 31 new and returning original series, two dozen original feature films and documentaries, a wide range of stand-up comedy specials and 30 original kids series.
In his comments, Hastings said that: “With the help of the internet, we are putting power in consumers’ hands to watch whenever, wherever and on whatever device. From today onwards, we will listen and we will learn, gradually adding more languages, more content and more ways for people to engage with Netflix. We’re looking forward to bringing great stories from all over the world to people all over the world.”
The streaming video provider NetFlix launch in 130 countries comes at a time when it has announced it would spend $5 billion on content in 2016. In India, Netflix will be competing with local OTT players like Hotstar, Ditto TV, Sony Liv and Eros Now. Hooq, a joint venture between Warner Bros., Sony Pictures and Singapore telecom giant Singtel, also launched in India last year and is offering its service at INR 199 (US$ 2.98) per month.

LG to collaborate with Netflix on global expansion

LG Electronics logo
LG to Collaborate on Netflix’s Global Business Expansion
  • New Partnership to Offer Extensive Library of Content from the World’s Leading Internet TV Network
TORONTO — LG Electronics today announced that LG has initiated a global partnership with Netflix to facilitate the expansion of Netflix’s global on-demand Internet streaming operations beyond the Internet TV network’s already established markets (the Americas, Western Europe, Australia, New Zealand and Japan). The expansion will bring an extensive library of high-quality content, including 4K HDR-mastered original TV series, to more markets in Asia, the Middle East and Europe. LG has been chosen as a primary global business partner of Netflix, due to the superior picture quality and performance they lend to the Smart TV industry and the Netflix viewing experience alike. At the time of Netflix’s launch LG and Netflix will combine efforts to provide prepaid access to the Netflix service.
Among Netflix’s acclaimed original TV show series are Marvel’s Daredevil, Orange is the New Black and Sense8. The company also plans to provide global members with its HDR-mastered original TV series Marco Polo. At the 2016 International Consumer Electronics Show (CES) in Las Vegas from January 6-9, visitors to LG’s booth (#8204 Central Hall, Las Vegas Convention) will even be able to watch a special 4K HDR clip from Netflix’s popular Dolby Vision™-mastered Marvel’s Daredevil series. Netflix has praised LG’s 4K HDR OLED TVs for having the purest black, contrast and colour vibrancy, all factors which ensure enhanced details and greater dimension when displaying their content.
“Our global partnership with LG will help entertainment lovers worldwide discover and enjoy Netflix,” said Scott Mirer, vice president of device partner ecosystem at Netflix. “We look forward to delighting our members with cutting edge technology and the ability to watch their favorite series in 4K and HDR.”

“We are excited to be the global business partner of the world’s most popular content provider Netflix,” said Brian Kwon, President and CEO at LG’s Home Entertainment Company. “From our side, LG will continue its dedication to innovating display and audio technologies in order to offer global consumers a superior 4K and HDR viewing experience. By adopting the most promising cutting-edge technological advancements, LG will continue to lead in the global premium TV market.”

Saturday, November 21, 2015

Netflix to reach 115 million subscribers

The number of SVOD [subscription video on demand] homes is forecast to reach 306 million across 200 countries by 2020, up massively from 28 million in 2010 and an expected 197 million by end-2015, according to a new report from Digital TV Research.
The total will grow by 42 million in 2015 alone.
The Global SVOD Forecasts report estimates that nearly 145 million SVOD subscribers will be added between 2015 and 2020 (up by 90%). China will increase by 20 million subs, with the US bringing in an extra 22 million, Japan 9 million and India more than 7 million.
SVOD_home_forecasts
Netflix is forecast to have almost 115 million paying subscribers by 2020, adding 44 million subs between 2015 and 2020. Netflix will have 50.4 million subs in the US by 2020 – up by 7 million on 2015.
Global SVOD revenues [for all operators in 200 countries] will reach $26,794 million in 2020; 10 times the $2,644 million recorded in 2010 and more than double the $12,375 million expected in 2015. Subscription revenues for Netflix will rocket from $1.8 billion in 2010 to $12.2 billion in 2020.
For more information on the Global SVOD Forecasts report, please see the Broadband TV Nerws webshop.

Thursday, October 29, 2015

Netflix to reach 100 million subs by 2018

Netflix Living RoomNetflix is set to reach 100 million subscribers by 2018, according to new analysis released by IHS. Meanwhile. traditional broadcasters are launching services reaching their viewers direcltly.
This is due to the fact that the traditional TV channels business is entering a period of flux. “The core concept of the channel is fragmenting, as audience behavior is changing and broadcasters are adapting to meet evolving viewer needs” said Ted Hall, research director at IHS Technology.
“The traditional linear channel will be around for a long time to come, but it will become increasingly marginalised by a plethora of online services, from catch-up TV to TV Everywhere, pay TV channels’ streaming offerings and YouTube multi-channel networks.”
Direct to Consumer (D2C) offerings are emerging as key new services for traditional channels. “HBO Now, Discovery DPlay and DisneyLife are leading the way and employing a strategy that not only gives them more power in carriage-fee negotiations, but also allows them to grab their piece of the growing online-subscription revenue pie,” Hall said.
The growing popularity of Netflix is a major factor spurring channels’ D2C launches. “Excluding spend on sports, in 2013 and 2014, Netflix outspent almost everyone on original and acquired content. In 2014, Netflix’s content spend was about double that of ITV and Amazon,” Hall said.
In 2018, Netflix will pass 100 million subscribers worldwide according to IHS Technology. “Between now and 2019, we forecast subscriptions will grow by 22 percent, with 10 million new subscribers to be added in the US,” said Dan Cryan, senior director Media & Content at IHS Technology.
“International subscribers are key for Netflix,” Hall said. “As Netflix invests more in international content, we expect to see huge growth in Western Europe over the next three years, with 10 million new subscribers to be added to its already burgeoning international base.”
The UK will be the number one market in Europe for Netflix, with 7.1 million paying subscribers by 2018.

Saturday, April 18, 2015

Samsung 2015 SUHD TV range arrives in Australia with free six-month Netflix

Samsung has announced the pricing for its new range of SUHD TVs in Australia. Early customers of the 2015 range of SUHD TVs will also be getting six months of free Netflix.
According the South Korean electronics giant, the latest SUHD TVs use nano-crystal technology, offering crisp and clear images. The new range of ultra HD TVs run on Tizen operating system. Samsung says that its new OS will play a major role in Internet of Things.
“The Samsung SUHD experience will change the way Australians think about Samsung’s home entertainment and visual display technology – it’s on a completely new level to anything we have ever produced.” said Philip Newton – Corporate Vice President, Samsung Electronics Australia. “By pushing Samsung’s boundaries in colour and picture quality, the SUHD TV range showcases our continuous commitment to innovation in the TV category, offering Australians an outstanding viewing experience”
Samsung Series 9 JS9500 65-inch SUHD TV is priced at RRP AUD9,999 and will be available from April 2015 while the Series 9 JS9500 88-inch SUHD TV is at RRP AUD24,999, available June 2015.

Wednesday, April 1, 2015

TV everywhere app usage revealed

YouTube still rules when it comes to TV app usage on smartphones and tablets, but broadcasters take the lead over platforms, according to GfK research.
Research in the Netherlands shows that the TV apps from broadcasters are by far more popular than those from the cable and IPTV platforms, including UP{C’s Horizon and the Ziggo TV app.
The news app from NOS and the catch-up TV plus live streaming TV app from NPO are extremely popular, with RTL XL (coach up) following behind.
Remarkable is that table usage outperforms smart phone by factor two.
Of the TV Everywhere apps from the platforms, the Ziggo TV app is the most popular, followed by Netflix and (good old) Teletekst from the public broadcaster.
The RL Nieuws app combines text and video and is the high most popular app, followed by Horizon Go and KPN.
The figures were presented by Paul van Niekerk, Managing Director. GfK Hilversum, during a special afternoon on TV recommendation and curation hosted by Bindinc.
Dia1

Sunday, January 26, 2014

Netflix set for “substantial European expansion”

Netflix has no plans to introduce advertising and is at the same time is reluctant to provide specifics about what it terms are its “substantial” expansion plans in Europe for later this year.
Speaking in a conference call accompanying the company’s latest set of results, Netflix CEO Reed Hastings said that it remains committed to retaining its ad-free model, for at least the next two years.
Asked for more details about what Netflix terms “a substantial European expansion” later this year and rumours that this may include France and Germany, Hastings refused to be drawn on specifics.
However, he added that, “what we’ve seen in the UK is that there can be very strong players like the BBc iPlayer, Lovefilm and Sky and we can still build a very successful business.”
Asked about STB integrations in Europe, Hastings spoke positively about the Virgin Media/TiVo arrangement and said this could be replicated to other markets Netflix operates in.
However, he refused to confirm whether Netflix in the UK had yet reached profitability.
Netflix as a whole ended 2013 with over 44 million members and expects the total to rise to 48 million this quarter.
On the international front, it gained 1.74 million members in Q4 2013 to end the year with 10.93 million.
Its total net income in Q4 was $48 million – a figure it expects to match this quarter.
Commenting on the performance of its European operations, the company said: “We’re making great progress internationally, with strong member growth and contribution profit/loss improving sequentially in all of our markets (with the exception of the Netherlands as it had its first full quarter of operations and thus loss in Q4). We saw healthy growth in net additions of 1.74 million in Q4 to end the year at 10.93 million members, slightly above our guidance. As anticipated, Q4 net additions were down slightly from the prior year Q4, as we launched four Nordic markets in Q4 2012 versus the relatively smaller Netherlands launch in Q3 2013.”
Regarding its substantial European expansion, it added: “Our success this year in international net additions and shrinking contribution losses confirms our belief that there is a big international opportunity for Netflix.”
The company has also started to advertise a number of jobs for its yet to be opened office in Amsterdam. Netflix is recruiting a team of eight people, mainly for legal, marketing and PR including a Senior Manager Europe Media.

Monday, November 4, 2013

Netflix testing 4K UltraHD streams

Lifestyle Popcorn NetflixNetflix has posted a number of 4K test videos, with several Ultra HD offerings at different frame rates appearing on the site.
Speaking to Gigaom, a Netflix spokesperson said the company “hopes to launch Ultra HD next year.” At CES in January this year, Netflix and Samsung collaborated to show streaming 4K on Samsung’s stand. At the time, Netflix also launched its Super HD service offering better quality via selected ISPs including Virgin Media, British Telecom, TDC, KPN, Ziggo, and others.
Super HD is not to be confused with the current 4K pilot. Super HD offers bitstreams up to 7Mbps, initially only via selected ISPs, but now also available on others.
During a recent investors call, CEO Reed Hastings said that the company wants to be one of the big suppliers of 4K next year. This could include its proprietary content such as House of Cards, which was shot in native 4K.

Friday, October 18, 2013

Russia not ready for Netflix

Russia is not currently a good prospect for Netflix and is unlikely to be so for at least the next 3-5 years, according to Egor Iakovlev, CEO and founder of Tvigle, the country’s leading legal online video company.
Speaking to Broadband TV News at a special media event in London, he said that there are currently a number of factors that would make Russia a difficult market for Netflix to operate in.
Firstly, there is no established habit for paying for channels like there is in the US, where the cable market is over 50 years old.
Secondly, there is a wide selection of FTA channels in Russia and the quality of the programming they show is high.
For instance, feature films often air on main channels only a couple of months after their theatrical release.
Thirdly, there is a high level of piracy in Russia, though this is being addressed by new legislation that is already having an effect.
Iakovlev said that idea of the scale of piracy in Russia can be gauged from the fact that of the 10 billion streams in Russia only 1 billion are from legal sources and two billion from semi-legal sources, the latter of which include YouTube, with the remainder from pirated sources.
Since its enactment in August, the new anti-piracy legislation has already led to the closure of over 50 pirate sites.
Tvigle was launched in 2007 and has a 20% share of unique monthly viewers. It has over 7,500 partner websites and a unique advertising network and had an audience of 10 million as of April this year.
Tvigle also has content partnership agreements with the BBC, Fox International Channels, Disney Channel, CTC Media and Central Partnership.

Monday, October 7, 2013

Kudelski acts against Netflix

OpenTV has filed a patent suit against Netflix in the District Court of the Hague in the Netherlands.
In it, the company alleges that Netflix “infringes its patents and is seeking, among other relief, to enjoin Netflix from further infringement by its recently launched service in the Netherlands.”
OpenTV is owned by Kudelski Group, and according to Joe Chernesky, senior VP, intellectual property and innovation at Kudelski, “The Group has invested billions of dollars over the past several decades in innovation and R&D and has successfully brought its technologies to market through advanced solutions, technology transfer and IP licensing.”
He added: “The Group remains committed to protecting its substantial and ongoing investment in innovation for the benefit of the digital video ecosystem.”
Kudelski previously acted against Netflix on behalf of OpenTV in the US, with the District Court for the District of Delaware, claiming patent infringement of seven US patents late last year.
At issue are a collection of patents related to content delivery and DRM which Kudelski says Netflix has refused to license from it. At the time, Kudelski said that it had been negotiating unsuccessfully with Netflix for twelve months. (The full text of the OpenTV case in the US is availabe as PDF download here)
Netflix was launched in the Netherlands in September.
In the US case, the seven patents OpenTV asserts Netflix infringes are US Patent Nos.:
- 6,018,768, “Enhanced Video Programming System and Method for Incorporating and Displaying Retrieved Integrated Internet Information Segments”;
- 6,233,736, “Media Online Service Access System and Method”;
- 7,055,169, “Supporting Common Interactive Television Functionality Through Presentation Engine Syntax”;
- 7,409,437, “Enhanced Video Programming System and Method for Incorporating and Displaying Retrieved Integrated Internet Information Segments”;
- 7,490,346, “Digital Television Application Protocol for Interactive Television”;
- 7,949,722, “Enhanced Video Programming System and Method Utilizing User-Profile Information”; and
- 8,107,786, “Systems and Methods to Modify Playout or Playback.”